Colette (2018)

Art and commerce, self and image, roles and rules, authenticity and fake, freedom and confinement. Not knowing much about the real Colette, this slow and deliberate coming-of-age tale had some rather unexpected turns.

Fascinating story, visuals too slick for credibility, ultimately a tad bland. Not in my turn-of-the-century book.

This entry was posted in Uncategorized and tagged , , , . Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s