Tag Archives: see


Πικρό ψωμί [Bitter bread] (1951) Greek postwar neorealism feels similar to its italian predecessor and inspiration; not especially »realistic« but heartfelt, indignant, and at times clumsy. This particular example, supposedly the first ever, is about a poor family trying its best not to disintegrate while being tormented by … Continue reading

Posted in Uncategorized | Tagged , , | Leave a comment